The 25th Annual Helen Hayes Awards were held on Monday. It's commonly called the "Drama Prom" or "the city's biggest cast party," but I think of them as the Hayzies. (If you sit there long enough, you get a bit hazy, believe me.) The last time I attended, two years ago, the ceremony swept by in about two hours; this year, the awards stretched well beyond that time, though the show itself, moment by moment, did not seem to drag. The length of the show can be blamed on the handful of ties; five or six awards had to be awarded in duplicate, requiring duplicate acceptance speeches, etc. In addition, the Hayzies have not yet figured out how to manage those particular awards which bring dozens of people onstage at the same time. And this year, in addition to the large casts winning the "best ensemble" awards, all the local artistic directors (about 70 of them) were dragged onstage to be applauded by those of us in the audience who would like to be hired by them. A bit surreal, I think.
As far as the recipients, I really can't complain too much, since I certainly did not see everything that was nominated. It looked like Signature's Les Miz
was the big winner (I wrote about seeing the show here
), as I believe they won every acting category for which they were nominated except one: Leading Actor in a Musical. That award went, inexplicably, to David Margulies, who gave a
charming but forgettable performance in The Happy Time.
When the Hayes nominations came out, I lamented
that Michael Minarik (above), who played the pivotal role in The Happy Time
, was overlooked; from the gents who WERE nominated, I would have liked to see one of the guys
from Kiss of the Spider Woman
(above) win out. Ah, well...
I was pleased that Arena Stage's Next to Normal
won several high-profile awards. None of the nominees from the show were in attendance, as they were all in previews for its Broadway opening on Wednesday (the New York reviews have been raves, and it now looks like Next to Normal
is the show to beat at Tony Time...sorry, Billy Elliott
...) I loved the show when it was here, though I wrote
that I was disappointed when star Alice Ripley did not play the noon matinee I attended. She won a Hayzie, as did the kid playing her son, Aaron Tveit (this guy won the award over sentimental favorite Robert Prosky, who was nominated for The Price
, and has since passed away. But Prosky's death
had no chance to play a part in the voting: the numerical way in which the awards are determined means that all the scores for The Price
, for example, were in place by the time the show closed, and could not be influenced by later occurrences like an actor's death.)
Though I was anxious to get to the afterparty, I still enjoyed the HH Awards Show itself. The musical interludes were nutty parody songs, delivered by a handful of local stalwarts, including that clown Rick Hammerly, who hammed it up effectively.
I suppose the moment which meant the most to me was the appearance of Ann Norton from the Washington Stage Guild
, who has faced a mountain of sorrow in the past year, in addition to
medical issues, but who strode onstage to present several awards with no hint of her recent history. The HH folks rightly gave Ann the honor of announcing the Best Actor in a Play award, including the reminder that the award will from now on be named in honor of the late Robert Prosky, a long-time DC presence. Ann is a lady (well, she'd call herself a broad) who could have justifiably Given Up about four tragedies ago, but has refused to do so. I'm very proud to call her my friend.
Whether they admit it or not, everybody goes to the HH Awards just to get into the reception afterward, a huge affair with buffet tables full of food and long lines at the open bar. It's great fun to roam the various banquet rooms provided for the event, and bump into folks you haven't seen all year. Of course, in such a huge crowd, there are those you miss, and I was disappointed not to encounter Floyd King, one of the evening's winners and an old buddy from The Shakespeare Theatre Company. Floyd
actually took me to the first two HH Awards ceremonies I ever attended back in the 90s; perhaps some tongues wagged about that behind our backs...but then, that's also one of the joys of the Drama Prom: The Dish. It's all in good-natured fun, and never gets in the way of the familial feeling the event always celebrates.
This year I closed the place down, and felt the effects the next day too, but who cares? I own a tuxedo (actually own several, but that's another story) so I might as well break it out once a year:
(Thanks, Clinton, for this proof of the good time had by all.)