Here's the Fool's coxcomb. And my apologies for being absent for so long. |
The biggest event in my recent life was surely my father's heart attack in January.
It was a pretty major event, and Dad's overall good health helped him survive the damage to his heart. By coincidence, I was scheduled to fly to North Carolina to visit him the day after his attack, so I was present for his hospital stay and his return home. Even in those early days, his recovery seemed to pleasantly surprise his doctors (including the doc who missed Dad's clogged arteries all these years), and he is well on his way to recovery. But this event severely rattled me and my family. Having myself achieved half a century a while ago, I am now faced with the reality of Heart Disease in my Immediate Family.
Only a few weeks after my father's heart attack, my oldest and dearest friend Claudia lost her husband of 30 years. I wrote about my Claud quite a while ago in these pages, and it was particularly frustrating for me to be a continent away while she went through this major trauma. |
Hudson Warehouse posters usually feature the leading actors in evocative poses. My little secret: I am determined to land on one of their show posters in the future. |
I spent most of February and March working on a production of Julius Caesar, produced by the group with which I have spent the past two summers, Hudson Warehouse. After a decade working outside, this group snagged the opportunity to produce two shows indoors, and their first Shakespearean offering was that ode to the Ides of March. I was very pleased to be offered the role of Casca, as the arc of the character was dramatic and satisfying. The first time we see him, he displays a dry wit which sits well on me; in his next scene, he is a bundle of nerves. Hudson Warehouse has cast me very well in the past two seasons, for which I am grateful.
It was fun to watch Hudson Warehouse's team play around with lighting and sound effects, which are not possible when they work in Riverside Park. I won't be working with HW this summer, as I attempt to get my personal finances in order, but I hope I'll be back with them again in the future.
I had a week between closing Julius Caesar and the start of my next project, and I spent the time indulging in a couple of Broadway Shows. I'll report on those separately in later pages. On April Fool's Day, I began rehearsal for King Lear, in which I am, prophetically, playing the Fool. I've worked with Titan Theatre Company before (in fact, they afforded me my NYC debut in Taming of the Shrew); this particular group of actors is an extremely strong one. As I write this, we have opened the show to strong audiences and enthusiastic reaction. Now that I'm back on The Blog, as it were, I hope to track our show's process in better detail.
Stay tuned for further reports, and welcome back!
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